Painting Title: Alice in Wonderland Medium: Latex housepaint and watercolor pencils Ground: Canvas Process: Airbrush Size: 23"x57" Date Completed: 2007
To set up the reference shots, I got as close to the sidewalk as I could. The surrounding scene was chaotic and detached, with frantic commuters hurriedly making their way into the train station that she was sleeping in front of in an evident abyss of loss and isolation..
These rushed shots still took in quite a larger area which I needed to crop out to highlight her against the background: plain steel security gates and rough concrete sidewalks with no shadows or direct lighting.
When I enlarged the reduced image area, details became fragmented jpg pixelations, dots and dashes which I painted in to define form, lighting and depth with considerably more precision.
I applied watercolor pencils- drawing and shading each pixelation that I could distinguish. I then airbrushed subtle pathways of little designs, swirls, and patterns, turning the work into an intricate jigsaw puzzle amongst the shadows. This underscored an alienated equilibrium where her dreaming would appear temporarily free from life's physical and emotional troubles.
I experimented with the illusion of ethereal lighting, corroded rust, night-like shading, and surface reflections; and then coordinated various areas throughout the painting with unadulterated multicolored applications, thereby creating optical mixtures.
The painting was coalesced with an intricate graffiti mural as a metaphor: the dark and grotesque fantasy realm of escape from the futility of life.
In reality however, when she awakens, she will be left on a grimy cold gray city sidewalk in front of a plain gray metal security gate.... and she will continue being passed unnoticed by hundreds of uncaring commuters with loving families, hot meals and soft beds waiting for them in the uncompromised comfort of their homes.
From The Wall
I don't need no arms around me and I dont need no drugs to calm me
Thanks very much Giselle. This was one of those unusual pieces that sort of morphed as i worked on it. Graffiti was an afterthought that impacted the composition and emphasized the hyperreality of her condition. Once added, it set the stage to introduce some lighting to transform the whole scene into a dreamlike state.
I was looking at the texture on the jeans, and thought "how did you DO that?" Did you use the texture of the canvas and the watercolor pencils to mimic the texture jeans have? Or am I just crazy?
No problem, but Transparent acrylics? I'm not familiar with those; if I had to guess would it be like diluted paint? Almost like the color is stretched through the (water)?
Acrylics can be extended into a translucent state with various mediums and water. Most airbrush paints are inherently transparent out of the bottle, as are acrylic inks and certain acrylic paint brands that are transparent.
Graffiti was an afterthought that impacted the composition and emphasized the hyperreality of her condition.
Once added, it set the stage to introduce some lighting to transform the whole scene into a dreamlike state.